Why You Should Visit Your Homeland

A great show organically grows beyond the original intent of the writers. It’s like a spider web; pulling one string can take you on an entire journey you didn’t expect. You can’t get that kind of depth with vague, short-term characters and plots.  A producer friend of mine called it “lighting the Christmas tree”. Don’t just build the damn thing, but take it a step further. When you think you’re done writing it, go back and twist it all up again.

Homeland’s recipe is to die for.  It’s no surprise though. Executive producers Howard Gordon and Alex Gansa, who adapted the material (Israeli show Hatufim was original content) for American television, aren’t exactly novices when it comes to making shows about counter-terrorism – they spent years working on the adventures of Jack Bauer on Fox’s hit 24.” (assignmentx.com).  The story is about Carrie Mathison (Claire Danes), a CIA agent, who often gets the clue no one else does, however, she is met with extreme resistance for her out of the box strategies.

For all of you who want to roll your eyes about her so called CIA agent life, guess again. Her ability to play a tom boy who chases after terrorists is surprisingly spot on. She invests everything into this character and her character invests everything she has into her job.

Carrie is tasked with Middle Eastern intelligence missions and specifically gets information that a POW from Iraq has been turned. She thinks its Sargeant Brody who’s come home after being captured and tortured for 8 years. Things aren’t that simple though and the plot continues to thicken all the way through the finale.

The first season reveals Brody’s experiences, his troublesome return to his family who all have issues of their own, and Carrie’s inability to let go of her suspicions even when everyone is against her. The show gives you a WOW moment at least twice in each episode–so you know you’re not going to be suprememly bored.

Sal is Carrie’s trusty CIA mentor who knows she’s right, but is often stuck in a rock in a hard place because of Carrie’s not-so-hidden schizophrenia attacks and dismantling of protocol. She won’t stop at anything to deliver the truth, even if that means becoming a terrible human being herself. By the way, Sal is actually Inigo Montoya from The Princess Bride!!  He’s all grown up now. There’s something nostalgic about this cast which certainly doesn’t hurt.

Claire Danes and Mandy Patinkin in HOMELAND - Season 1 | ©2011 Showtime/Kent Smith

So, you can see how Claire has a meaty role; she deserves every accolade coming her way. Brody, played by Damien Lewis (pictured below), has an astonishing ability to draw you in with his piercing green eyes and the mental torture he releases in odd ways.

The writers did a fantastic job laying out the pain, torment and happiness his character would endure coming home from such an awful experience in Iraq. Damien has this ability to run along the edge of both countries; his character has strong, believable ties to both cultures. You want to hate him in one episode, but love him in another. Homeland deep dives into extreme details about each character’s past and present without being obvious, cheesy or unoriginal.

What makes this show brilliant for me is the way the writers/creators laid out the story for the audience. In the first few episodes you get to spy on Brody through cameras in Carrie’s multiple LCD screens. They were able to show multiple plots running at the same time with ease which induced a huge amount of intrigue. Also, they are able to explain complex terrorist operations with multiple people involved without confusing the audience. It’s a damn smart show, and it makes you feel smarter watching it!

As I’ve told most people I know, you need to watch the show if you haven’t already.  You can’t miss the performances that are just going to keep getting better. You don’t know what’s going to happen to Brody and Carrie in season 2, but they left it on a cliff with both of them just hanging on by a thread.

Voted Best Explanation Of Lost’s Season Finale

I’d love to be a hater and tell you the writers really LOST our adoration during the finale but I’d be lying. I thought the finale was amazingly beautiful and everything I had hoped it would be.

For those of you hoping for more concrete answers in the final episode of Lost you have to realize that millions of people would never be satisfied no matter the answers given. The finale was ambiguous in certain ways to cater to your own spiritual and religious beliefs. Most of us loved Lost because of the characters and that’s exactly what they focused on in the end.

Some say that we make soul pacts with each other before we are even born into this world. Some say we can have multiple chances to come to earth as we try and become better and better each time. We pick our soul mates, our families, our friends..all in hopes that we can take the journey together.

Sylvia Browne and others talk about how our soul paths were chosen long before you were born.  My point is this isn’t some brand new concept. This idea is important because it has to do with how the story played out the way it did. LOST is Jack’s purgatory and the characters around him we’re really in his life at one point or another.

Their essence and purpose remains with him in purgatory to continue to play out what Jack needs to learn in order to pass on. It’s not to say that this wasn’t the other’s purgatory as well, but Jack was the focus in the end.

You can think of the island as a hub for your spiritual body to defeat the ultimate enemy and enter the gates into heaven. In order to gain enough power to defeat this enemy, you have to learn how to truly love and live. None of these characters really knew how to do that before coming to the island.  In a way the island makes me feel like perhaps we don’t just have lives on Earth but maybe we live out lives in various planes of existence in order to become true celestial and refined beings. Trippy eh?

The Dharma Intiative doesn’t just encompass the people on the island who were trying to “control” it’s power of destiny. “Dharma” also refers to the following: law, stages of life, religious texts, ethical conduct and righteous duty. This was a direct reflection on the purpose of Jack’s presence on the island- to control what he never could in his real life.

It would make sense that some people on the island were trying to find ways to control and manipulate their destiny or soul contract. Maybe they don’t have to defeat this enemy if they blow up the island. Maybe they can just go back to the way life was before they landed there.  Maybe they can build a boat and sail away to safety.  Maybe the electromagnetic burst will send them back to what they once called home. What they didnt realize is that they had a few more contracts to live out and these contracts would be decided based upon their choices on the island. If they made bad choices or still needed to learn other lessons, their “earth bound” lives changed to match them. These are the sideways stories.

In the finale, we jump down to earth (or in this case fly on a plane) hoping that we would somehow remember our original soul contracts with each other when we pass each other on the street.  We hope that our souls will recognize familiar eyes and fall in love all over again. The fact is, there is no guarantee because you’re jumping into blackness and believing in non-tangible emotions in the midst of a million obstacles.  This is the heart of LOST. This is the heart of LIFE.

Will these characters recognize the giant leaps they have taken for each other in their earthly bodies???? Will Jack be able to pass on because he’s lived the way he should? Yes. The bond was so powerful that it held together despite time and distance.

If you recall when the characters came together in the finale they touched each other and suddenly remembered who they were, what decisions they made and why they came back again. This is what was so touching for me because their bond was so powerful that they actually remembered the soul connection on the island.   Don’t worry about wondering if they were truly dead or not.  The spiritual side of us never dies and that’s the part that takes on our wisdom from this life. We could be dead right now and never know it. Death is always representative of change and moving to the next contract or phase of everlasting life. Yes, these characters could have been dead the moment the plane hit the sand in the season pilot. It doesnt really matter though because your spirit can go back and live as often as necessary until it’s ready to move on.

We always knew the island was some sort of cork between heaven and hell designed to test every last ounce of our character. Jacob says in an episode that the island is between both options so it leads you to believe that work must be done in order to gain access to the “heaven” concept.  Some people believe that the reason we are on earth is to refine our souls for something as perfect as “heaven”.  Let’s face it, we’re pretty rough around the edges and it’s not until we experience true wisdom that we can be better people.

A lot of viewers had a hard time with the sideways stories but these stories are what made this show extra special.  You can say that perhaps the sideways stories were multiple attempts to live in “real” life with each other depending on these incestuous ever-changing soul contracts.  In the end, the island gave them the ties that they were not given in their original lives; a redemption.  This is why each sideway story changed from season to season. First we see Kate and Jack together and then they come back to the island and it changes again. Next we see Jack with a son and his ex-wife is Juliet. If you follow the stories through the season it mimics the need for redemption they felt on the island.

Jack felt terrible for the loss of Juliet and then he’s suddenly married to her in the next sideways story.  As Sawyer progresses and becomes a better person he’s now a good guy detective in his sideways story.  Claire realizes she misses her son and wants to be a mother and suddenly she’s pregnant with the chance again. The Oceanic airline was just like the boat taking you across the river Styx. It was a way for soul pacts to come into fruition and these people are just a few we were able to spy on during this process.

If you recall, the creators wrote the story with the computer game “Myst” in mind.  Myst is a game where you are trying to find something on an island and opening doors and finding keys.  Here is what wikipedia says of the game Myst:  “Myst puts the player in the role of the Stranger, who uses a special book to travel to the island of Myst. There, the player uses other special books written by an artisan and explorer named Atrus to travel to several worlds known as “Ages”. Clues found in each of these Ages help reveal the back-story of the game’s characters. The game has several endings, depending on the course of action the player takes.”

Did you notice that Ben decided to stay behind?  This is the only character out of the bunch who didn’t earn his stars so to speak.  Ben did not grow the same way the other characters did and he was often wishy washy in many of his scenes vibrating from truly evil to sad and lonely. It’s not a surprise that he’s left behind to be a spirit sitting there….waiting…pondering…while the others are ready to move on. Some could say this was a hint at an earth bound spirit. I do believe the Lost creators welcomed the idea that this story could be taken in a very existential manner or a very hardcore time warping Gilligan’s island story. You can pick.

So, to all of you who worked on, acted on, wrote on, produced on, directed on and helped on the production of Lost- thank you for creating something powerful, meaningful and epic.

Oz-One Of The Best HBO Shows You Never Saw

 
 

Oswald State Penetentiary is where it all goes down.

One experiemental cell block, in the middle of hell on earth, has been nicknamed “Emerald City”. Tim McManus is heading up the Emerald City unit hoping to rehabilitate the inmates and reform the prison system. Good freaking luck! The difference of the unit compared to most? There are no walls; it’s a giant fishbowl and therefore EVERYTHING starts seeping to the surface. McManus believes that this new aquarium society will  help hasten the rehabilitation process when in reality we all know that fish from different walks of life don’t normally get along well. Most, won’t even survive the first few months.  Now you know this show isn’t just about the characters but reformative prison experiements which adds another layer for the audience to debate.

The characters are some of the BEST characters I have seen on a television. Edie Falco did “Oz” while doing The Sopranos because the script was so good and she’s a better actress for it. She’s on board the cast as a plain Jane security guard who has an ongoing love affair with McManus.  Edie has a knack for playing these palpable, masculine female entities with no makeup on and a uniform. The situations and drama are riveting, brutal, realistic and shocking. The writing is on point and masterful.

Ryan O’ Riley has been a favorite character along with Beecher, the nerdy ex-lawyer, in prison for killing a young girl while intoxicated. Beecher becomes the man he never was on the outside and even takes a crap on another inmates face. Don’t worry…by this point you WANT him to do it. The real heart of the show is how the writers show you Beecher’s deterioration and humiliation; his renewed ability to change in order to survive. We, as an audience, learn about prison thru Beecher’s eyes and so we’re essentially the underdogs right along with him.

Beecher has an ongoing war with Vern Schillinger for most of the season which is like picking a fight with the Devil. He’s the Aryan leader who’s not afraid to pork you in the middle of a crowd, literally. He’s got a bucket of hatred that he’s just waiting to pour all over Beecher every time he sees him. Vern is your worst enemy if you were ever thrown into prison.

The show chronicles the pace of prison life, the rules, the guards, the budgets, the politics, the reformation, finding God, not finding God, solitary confinement, race wars, religious wars, murder, why people kill each other, psychology of prisons, etc. You name it, you will get it in this show. Yes, you’ll also see some gay action and hear the word “tits”; which is slang for drugs. 

The invisible prison narrator, sitting in a glass box on the ceiling, is a really unique twist on the show. His thoughts and observations help smooth over the general morality and prison philosophy.  In addition, the show drives you to want to find out what each main character did to be thrown in jail.

At the end of the day what keeps you downloading episodes of the show is: the fallible heart of Tim McManus, the desire for some of these people to change their lives and to see these characters seek revenge. This show brings the edge of reality television which helps keep you entertained; a lot like “Gangland”.

Here is my favorite review from another site called improbableoptimisms.blogspot.com:

“I agree with him that Oz’s body count makes Vietnam look like Club Med, and some of the plot twists were more than a little contrived. But at the same time, the show did a wonderful job of depicting all of its characters as complicated, three-dimensional people. I especially admired the treatment of Vern Schillinger, the Aryan leader whom we loathe one moment and pity the next. Schillinger’s capable of truly operatic acts of villainy, but we grieve with him when his sons die, and in the final season, when his hero Mayor Loewen insults and dismisses him, the wounded-child look on his face is heart-breaking.

All of Oz’s characters, even the most seemingly despicable, struggle with hard questions. Witness Claire Howell, the sadistic C.O. who uses her power to coerce inmates into having sex with her. She’s one of the most loathesome people in Oz right up until the last episode, when she discovers that she’s pregnant and delivers a rueful, moving monologue to Father Mukada. She doesn’t believe in abortion, and since she’s pretty certain her baby will be mixed-race (“golden-brown and marinated in salsa,” as she says with typical bluntness), she doesn’t want to raise the child in her redneck neighborhood. But on a C.O.’s salary, especially as an about-to-be-single mother, she can’t afford to move.

What I liked most about the series, though — what kept me watching through the endless shankings, betrayals, and ever-more-convoluted iterations of the Beecher-Schillinger-Keller triangle — was its treatment of faith. The show takes faith and spirituality seriously. Father Mukada, the prison chaplain and Catholic priest, is neither a caricature nor a cardboard cutout. He does a very difficult job as well as he can, often struggling alongside the prisoners with doubt and despair. Sister Peter Marie, Catholic nun and prison psychologist, is similarly complex.

Take the episode “Capital 1″ in the first season. Mukada and Sister Pete both follow the teachings of the Catholic Church in opposing the death penalty, and they’re torn about how to respond when it’s reinstituted. Father Mukada decides that he has to stay in the prison to provide pastoral care to prisoners on death row. Sister Pete takes a very different approach, quitting her job — albeit briefly — to join the anti-death-penalty picketers outside the prison. Neither character arrives easily or automatically at a course of action. They aren’t saints; they’re frail, fallible humans.

We also see the prisoners, especially Muslim leader Said and his followers, struggling with the meaning and consequences of religious faith. Almost every character on Oz, even those who aren’t formally religious, runs head-on into conflicts involving redemption, salvation, and forgiveness. On Oz, these aren’t just pretty words. They’re very literally matters of life and death. This is a show where questions about the soul have the driving urgency of countdowns to thermo-nuclear explosion in superhero movies. That makes sense, of course, since the action takes place in confined spaces. In Oz, theology replaces car chases.

Grade: Solid A

 

 

    

 

 

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